Question: When your daughter’s wedding is over, what do you do with all the stuff you have spent a whole year making — stuff which is taking up a lot of space in your sewing room, but you can’t bear to get rid of because it’s either sentimental, or because well . . . you might have a tiny hoarding problem? You make a quilt, of course! All those leftover hand embroidered napkins that guests left on the tables, the yards and yards of fabric pennants, the embroidered chair backs, the ring pillow, and pieces of vintage doilies and dresser scarves are now part of a comfy little quilt.
First I cut out the monogram, and then I used the rest of the napkin as a base for the crazy blocks. After penciling the finished size, I laid out the pieces, pressed under the appropriate edges, and top stitched them down. Because the blocks are pretty thick, I doubled the sashing fabric. The prairie points seemed like a good idea because they reminded me of the pennants, and also because I have a about a million of them that I need to use up. The batting is an old flannel sheet, and right now the quilt is just tied in the block corners, although I am thinking that I might machine stitch in the ditch around each block.
This cute Bernina was produced in the late 1950s and early 1960s. I found it at the Goodwill, hiding inside a nondescript sewing machine cabinet. The power cord was missing, so I couldn’t try out the motor, but it was only $20 and I could always return it if it didn’t work. When I got home, I managed to find an old extension cord that fit, and the thing actually sewed. After investing $120 to get it cleaned up, oiled and calibrated, it’s working perfectly.
It’s so nice to have a second machine, especially when you’re working on a project that requires a lot of thread changing. Another happy coincidence is that this machine uses the same feet as my Bernina 1000. It has a zig-zag stitch and a few others — also very similar to my other Bernina. Gordon constructed a nice extension for me, and I even located an original manual and some new bobbins.
It’s smallish compared to my free-arm Bernina, but it weighs a lot more at 33 lbs. It’s sort of an anti-featherweight, and does an especially nice job sewing through heavier fabrics. My very favorite thing, though, is the super cool, two-toned, avocado green paint job.
I am madly working on Christmas presents, and have nothing to show at the moment, so I thought I would share another vintage Lockport pattern book. Lockport Batting Company was probably similar to Mountain Mist, who also published their own quilt patterns. Lockport had a relationship with Anne Orr, but although my other Lockport book is all Anne Orr patterns, this one makes no reference to her and does not credit any particular designer.
I hope those of you who may have never used a template quilt pattern might be encouraged to try this old technique.
In honor of Mary Blair’s Birthday, I thought I would show you this Disney record I purchased for its fabulous Mary Blair cover. I’m a big fan of Mary Blair, and I love the design of the Small World ride (both the outside and the inside), but that song drives me crazy. We got stuck in there once and I was seriously contemplating abandoning my family and wading through the water to get out.
I think these cute children would make wonderful embroidered and appliqued or crayoned quilt blocks, but you could use them in other projects as well. I just always see quilts.
Visit Eye-Likey to see more Mary Blair artwork.
Gordon just finished making the doll bed to go with Marjorie’s quilt — a Christmas gift. The bed was designed by Ana White and is available as a free download on her site. The directions are great — I only changed the length of the legs to make the bed a little higher off the ground. This is a popular pattern, and there are lots of photos online of other people’s cute beds. Because Gordon bought such nice wood, I decided to keep the bed natural.
The quilt is described in an earlier post; the mattress and pillow are made with heavy vintage ticking.
I think my niece’s daughter (and our flower girl), Marjorie, is going to love it.
Emily and Aaron decided to serve Molly Moon’s ice cream for dessert instead of a cake or cupcakes. The ice cream turned out to be a good choice, since it was a very warm day. Fortunately, the Georgetown Ballroom is conveniently set up for food vendor trucks since they can just drive right into the outdoor patio.
Aaron’s mother, Bryce, is a talented artist whose home is filled with her amazing artwork. After seeing some of the vintage pieces we were going to be using on the tables, she constructed a fabulous tiered cookie table out of plywood and decorated the entire piece with broken vintage dishes from the Goodwill. She even made an edge around each tier that mimicked my pennants. For the bottom skirt, she dyed a vintage damask tablecloth.
Aaron’s Aunt Jesse is a fabulous baker; she made all of the cookies you see displayed on the table (plus tons of extras), and the giant cupcake on top. There were so many cookies, each member of the wedding party got a bag of cookies to take home.
This morning I got an email from Emily, and she mentioned that Aaron’s mother made a cute curtain with some of the embroidered wedding napkins. I started thinking that I have 50+ napkins that guests left on their tables, plus yards of fabric pennants, and a big pile of vintage doilies and dresser scarves. Why didn’t I think of this before? This stuff is going to make such a cute throw quilt for Emily, and it will be a fun reminder of her fabulous wedding (wedding pictures coming very soon, I hope).
I’m not planning to do any hand embroidery on these 8″ blocks, because they are already pretty busy. Also, I’m a little nervous about being able to finish all my other gifts before Christmas.
These blocks are so fun to make — I’m psyched!
Okay. . . Seattle is probably the most unlikely place I can think of to use a clothesline, but I love these old fashioned clothespin bags. My very favorites are the ones that look like tiny dresses. It took most of the day to make this bag, because I am not that great at drafting patterns and working out the construction when I only have photos to look at instead of a sample. There are a few construction techniques I’m going to change on the next bag, and I also want to try some different dress styles.
The floral fabric is a vintage dress-weight percale, and the hanger is also vintage. I bought 10 old painted hangers, so I guess I’ll be making a few more clothespin bags.
The other day Barbara was lamenting the scarcity of vintage clothespin bags and laundry collectibles in central New York, so this first little bag is for her.
A little apron for fall, although I must confess that autumn in Seattle is pretty soggy. This adorable vintage Waverly fabric is from the Etsy shop of my friend, Barbara, at Oodles and Oodles, and the selvage is marked “A Waverly Bonded Fabric – Glosheen.” I just love these vintage Waverly 36″ wide decorator fabrics (this one is named “Stockholm”). There is just a hint of sheen to the material (not quite as much as glazed chintz or polished cotton), and the designs are always so pretty. Because the thread count is high, they have a very soft feel to them, and they are my absolute favorite fabrics for making aprons.
This is an apron for my friend, Krysta, a fabulous teacher who used to work at my (former) school. Krysta is getting married soon and she is also incorporating vintage elements into her wedding. When she told me how much she loved the aprons I made for our shower guests, I wanted to make one for her as well.
Because Krysta’s favorite color is orange, I selected a big floral 1940s print together with a vintage solid orange. The eyelet is also old, but the purple trim is new. I hope Krysta thinks fondly of me when she wears her funky orange apron.
This little purse (which I mentioned in an earlier post about beading) was a Christmas gift to my mother from her Aunt Emma in 1930. I still have the note that her aunt placed inside the bag, which reads:
I wonder if you would like an old keepsake for Christmas. I have had it for 30 years, and wonder who you will pass it on to in 30 more years. Write and tell me what you think of it. I have too many girls to divide it with, so it will be yours.
My mother was the youngest of four and the only girl, so she lucked out. I have always loved the purse, which used to hang in an oval frame in our living room, so I am very happy Mother gave it to me. Some of the tiny white beads are missing from the edges on both sides of the bag, but the flowers are largely intact. It has a flap on each side (one of which covers a small pocket) and an opening at the top. The outside is a combination of black and dark brown velvet, the lining is black silk or rayon (now shredding), and there is cardboard sandwiched between. The strap is a velvet ribbon anchored with two bows.
You can download an informative pdf document here that contains photos and descriptions of the different shapes and designs of these bags. My mother thought it may have been made by the Iroquois, and it does resemble their flat bags, but a few other tribes made similar beaded purses. It measures 8″ across and almost 8″ high.
I’m pretty sure my beading is not going to look this good.
There are lots of projects I need to complete between now and Christmas, but I knew these little quilts would be first on the list. Jenny S., one of the wonderful teachers at my (former) school, is pregnant with twin boys, and I wanted to make the babies some bright and cheery quilts.
This is my second set of twin quilts, and they are pretty fun. I like to make them similar, but different. The fabrics are reproduction scraps and solids from my stash, and they are backed with striped ticking — one red, and one blue. I did not have time for hand quilting, so I machine quilted them using colored thread that matches the solid fabrics.
The quilts are 43″ square — big enough for a baby to lie on, and small enough for a toddler to drag around. I hope Jenny likes them.